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1:15:11

Download Carl Sandburg's 79th Birthday No Time for Heartaches Fire at Malibu mp4 download free video

Carl Sandburg (January 6, 1878 -- July 22, 1967) was an American writer and editor, best known for his poetry He was the recipient of three Pulitzer Prizes two for his poetry and another for his biography of Abraham Lincoln H L Mencken called Sandburg "indubitably an American in every pulse-beat" Sandburg was born in the three-room cottage at 313 East Third Street in Galesburg, Illinois, to parents of Swedish ancestry At the age of thirteen he left school and began driving a milk wagon From the age of about fourteen until he was seventeen or eighteen, he worked as a porter at the Union Hotel barbershop in Galesburg [1] After that he was on the milk route again for eighteen months He then became a bricklayer and a farm laborer on the wheat plains of Kansas [2] After an interval spent at Lombard College in Galesburg,[3] he became a hotel servant in Denver, then a coal-heaver in Omaha He began his writing career as a journalist for the Chicago Daily News Later he wrote poetry, history, biographies, novels, children s literature, and film reviews Sandburg also collected and edited books of ballads and folklore He spent most of his life in the Midwest before moving to North Carolina Sandburg volunteered to go to the military and was stationed in Puerto Rico with the 6th Illinois Infantry during the Spanish--American War, disembarking at Guánica, Puerto Rico on July 25, 1898 Sandburg was never actually called to battle He attended West Point for just two weeks, before failing a mathematics and grammar exam Sandburg returned to Galesburg and entered Lombard College, but left without a degree in 1903 He moved to Milwaukee, Wisconsin, and joined the Social Democratic Party, the name by which the Socialist Party of America was known in the state Sandburg served as a secretary to Emil Seidel, socialist mayor of Milwaukee from 1910 to 1912 Sandburg met Lilian Steichen at the Social Democratic Party office in 1907, and they married the next year Lilian s brother was the photographer Edward Steichen Sandburg with his wife, whom he called Paula, raised three daughters The Sandburgs moved to Harbert, Michigan, and then to suburban Chicago, Illinois They lived in Evanston, Illinois, before settling at 331 S York Street in Elmhurst, Illinois, from 1919 to 1930 Sandburg wrote three children s books in Elmhurst, Rootabaga Stories, in 1922, followed by Rootabaga Pigeons (1923), and Potato Face (1930) Sandburg also wrote Abraham Lincoln The Prairie Years, a two-volume biography in 1926, The American Songbag (1927), and a book of poems called Good Morning, America (1928) in Elmhurst The family moved to Michigan in 1930 The Sandburg house at 331 W York Street, Elmhurst was demolished and the site is now a parking lot Sandburg s collection, The War Years was awarded the Pulitzer Prize in 1940 His Complete Poems won him a second Pulitzer Prize in 1951 [4] In 1945 he moved to Connemara, a 246-acre rural estate in Flat Rock, North Carolina Here he produced a little over a third of his total published work, and lived with his wife, daughters, and two grandchildren until dying of natural causes in 1967 Sandburg had his ashes interred under "Remembrance Rock", a 5-foot-high granite boulder located behind his birth house [5][6] Sandburg supported the civil rights movement, and contributed to the NAACP en wikipedia org wiki Carl_San

1:29:31

Download Suspense I Won't Take a Minute The Argyle Album Double Entry mp4 download free video

The program s heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox Autolite run) Here the material reached new levels of sophistication The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio s famous drama and comedy stars — often playing against type — such as Jack Benny Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949 The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands" A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline To save money, the program frequently used s first broadcast by another noteworthy CBS anthology, Escape In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content By the end of its run, the series was remaking s from the long-canceled program The Mysterious Traveler A time travel tale like Robert Arthur s "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas en wikipedia org wiki Suspense_%28radio_dra

25:32

Download SpaceX Announces Plans To Launch Billionaire Maezawa To The Moon! BFR & Many UFOs 9 18 2018 mp4 download free video

New Alien Bros Merch now available! Get it here- s shop spreadshirt com alien-bros1 SpaceX Plans To Launch THIS Japanese Billionaire To The Moon!? BFR & Many UFOs 9 18 2018 - Alien Bros is a team of UFO researchers specializing in military bases like Area 51 & Kapustin Yar In this video we examine 3 UFO sightings all from 2018 First we share a video that was captured over Las Vegas in May of 2018 and it shows 3 strange orb UFOs performing insane maneuvers It was originally posted by my friend UFO MAN and captured by Steven Barone After that we share a triangle formation lights similar to the TR3B and they were filmed over New York Ater that we share another strange orb sighting showing multiple UFOs from our friend Illini Skies Chicago After that we get into the news regarding NASA and their new TESS ( Transiting Exoplanet Survey Satellite ) and how NASA can potentially use it to disclose alien life After that we get into the main topic of this video where SpaceX CEO Elon Musk announced his company will be sending Billionaire Yusaku Maezawa to the moon in a Big Falcon Rocket ( BFR ) in 2023 and what this could mean for us in terms of Maezawa possibly seeing UFOs in space and telling the public and we also touch a little bit on SpaceX s Mars mission and the Falcon 9 Rocket that launched the TESS probe into space Is the government and the Air Force covering up UFOs? What does the United States government know? This government cover-up needs to end The evidence is amazing and pointing to someone in the shadows pulling the strings We need to band together and truly fight for answers to the UFO phenomenon and end this government cover up forever 2017 is over UAP are real We here at Alien Bros touch on all topics relating to the alien phenomenon and do our best to make sure you guys, the viewers, get every detail possible Please support the channel, like, share, comment, and most importantly SUBSCRIBE!! #Paranormal #UFO #UFOs Help support us on Patreon and keep this channel alive- s www patreon com realalienbros Follow us on Facebook for updates!- s www facebook com Realalienbros Email us UFO Footage & Evidence at- Email- Suddsey42@gmail com UFO MAN Video- s www youtube com watch?v hmaY7kiU78I Illini Skies Chicago video- s www youtube com watch?v _ygsUDwJgxs&feature youtu be MUFON case#- 94992 ALL footage used is either done under the express permission of the original owner, or is public domain and falls under rules of Fair Use We are making such material available for the purposes of criticism, comment, review and news reporting which constitute the fair use of any such copyrighted material as provided for in section 107 of the US Copyright Law Deep Space by Audionautix is licensed under a Creative Commons Attribution license ( s creativecommons org licenses ) Artist audionautix com Darkest Child by Kevin MacLeod is licensed under a Creative Commons Attribution license ( s creativecommons org licenses ) Source incompetech com music royalty- Artist incompetech com Long Note Two by Kevin MacLeod is licensed under a Creative Commons Attribution license ( s creativecommons org licenses by 4 0 ) Source incompetech com music royalty-free index html?isrc USUAN1100176 Artist incompetech com Long Note Three by Kevin MacLeod is licensed under a Creative Commons Attribution license ( s creativecommons org licenses by 4 0 ) Source incompetech com music royalty-free index html?isrc USUAN1100424 Artist incompetech com Metaphysik by Kevin MacLeod is licensed under a Creative Commons Attribution license ( s creativecommons org licenses by 4 0 ) Source incompetech com music royalty-free index html?isrc USUAN1400056 Artist incompetech

1:28:33

Download Words at War Barriers Down Camp Follower The Guys on the Ground mp4 download free video

Alfred Friendly (December 30, 1911 -- November 7, 1983) was an American journalist, editor and writer for the Washington Post He began his career as a reporter with the Post in 1939 and became Managing Editor in 1955 In 1967 he covered the Mideast War for the Post in a series of articles for which he won the Pulitzer Prize for International Reporting in 1968 He is credited with bringing the Post from being a local paper to having a position of national prominence Friendly was born in Salt Lake City After graduating in from Amherst College in 1933, he came to Washington, DC to look for work A former professor who worked in the Commerce Department hired him, but his appointment to a high position at such a young age earned him criticism in the press and he resigned For the next year he travelled the country in the middle of the Depression, eventually returning to become a reporter at the Washington Daily News, writing a column for government employees Less than two years later he was hired to write the same kind of column for the Post, where he was soon assigned to cover war mobilization efforts and anti-war strikes When World War II broke out he entered the Army Air Force, rising to the rank of Major before leaving in 1945 While in the military he was involved in cryptography and intelligence operations, finally becoming the second in command at Bletchley Park, and the highest ranking American officer there After the war he remained in Europe as press aide to W Averell Harriman supervisor of the Marshall Plan A year later he returned to Washington and to the Post, where he became assistant managing editor in 1952 and managing editor in 1955 In 1966 he became an associate editor and a foreign correspondent based out of London Hearing rumors of war in 1967 he headed to the Middle East where he was present throughout the 1967 War and wrote his series of award winning articles He retired from the Post in 1971, though he continued writing occasional editorials and book reviews During his retirement he wrote several books, and after his death the Alfred Friendly Foundation was established It administers the Alfred Friendly Press Fellowships to bring foreign journalists to the United States for internships at prominent newspapers The Archives and Special Collections at Amherst College holds a collection of his papers en wikipedia org wiki Alfred_Fri

1:28:9

Download Calling All Cars Banker Bandit The Honor Complex Desertion Leads to Murder mp4 download free video

The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher Rosenquist was already famous because home radios could tune into early police radio frequencies As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station Due to Dragnet s popularity, LAPD Chief Parker "became, after J Edgar Hoover, the most well known and respected law enforcement official in the nation" In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show s previous mainstay Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L A Confidential, Lakeview Terrace, Law & Order Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series The LAPD is also featured in the video games Midnight Club II, Midnight Club Los Angeles, L A Noire and Call of Juarez The Cartel The LAPD has also been the subject of numerous novels Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det Lt Luis Mendoza, who was introduced in the Edgar-nominated Case Pending Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD Wambaugh also created the Emmy-winning TV anthology series Police Story Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD s most famous "cold case", and L A Confidential, which was made into a film of the same name Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era Critic Roger Ebert indicates that the film s characters (from the 1950s) "represent the choices ahead for the LAPD" assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach en wikipedia org wiki

1:30:1

Download Suspense Heart's Desire A Guy Gets Lonely Pearls Are a Nuisance mp4 download free video

One of the series earliest successes and its single most popular episode is Lucille Fletcher s "Sorry, Wrong Number," about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) — each time with Moorehead The popularity of the episode led to a film adaptation, Sorry, Wrong Number (1948), starring Barbara Stanwyck Nominated for an Academy Award for her performance, Stanwyck recreated the role on Lux Radio Theater Loni Anderson had the lead in the TV movie Sorry, Wrong Number (1989) Another notable early episode was Fletcher s "The Hitch Hiker," in which a motorist (Orson Welles) is stalked on a cross-country trip by a nonde man who keeps appearing on the side of the road This episode originally aired on September 2, 1942, and was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone After the network sustained the program during its first two years, the sponsor became Roma Wines (1944--1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and "producer" in early 1948), Autolite Spark Plugs (1948--1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman William Spier, Norman MacDonnell and Anton M Leader were among the producers and directors The program s heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox Autolite run) Here the material reached new levels of sophistication The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio s famous drama and comedy stars — often playing against type — such as Jack Benny Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949 The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands" A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline To save money, the program frequently used s first broadcast by another noteworthy CBS anthology, Escape In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content By the end of its run, the series was remaking s from the long-canceled program The Mysterious Traveler A time travel tale like Robert Arthur s "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas en wikipedia org wiki Suspense_%28radio_dra

1:29:43

Download Classic Movie Bloopers and Mistakes Film Stars Uncensored 1930s and 1940s Outtakes mp4 download free video

Classical Hollywood cinema or the classical Hollywood narrative, are terms used in film history which designate both a visual and sound style for making motion pictures and a mode of production used in the American film industry between 1917 and 1960 More bloopers s www amazon com gp search?ie UTF8&tag tra0c7-20&linkCode ur2&linkId 2e2330f57788ff94fc8dbab62c46051c&camp 1789&creative 9325&index dvd&keywords classic%20movie%20bloopers This period is often referred to as the "Golden Age of Hollywood " An identifiable cinematic form emerged during this period called classical Hollywood style Classical style is fundamentally built on the principle of continuity editing or "invisible" style That is, the camera and the sound recording should never call attention to themselves (as they might in films from earlier periods, other countries or in a modernist or postmodernist work) Throughout the early 1930s, risque films and salacious advertising, became widespread in the short period known as Pre-Code Hollywood MGM dominated the industry and had the top stars in Hollywood, and was also credited for creating the Hollywood star system altogether MGM stars included at various times "King of Hollywood" Clark Gable, Norma Shearer, Greta Garbo, Joan Crawford, Jean Harlow, Gary Cooper, Mary Pickford, Henry Fonda, Marilyn Monroe, Elizabeth Taylor, Judy Garland, Ava Gardner, James Stewart, Katharine Hepburn, Vivien Leigh, Grace Kelly, Gene Kelly, Gloria Stuart, Fred Astaire, Ginger Rogers, John Wayne, Barbara Stanwyck, John Barrymore, Audrey Hepburn and Buster Keaton Another great achievement of American cinema during this era came through Walt Disney s animation In 1937, Disney created the most successful film of its time, Snow White and the Seven Dwarfs Many film historians have remarked upon the many great works of cinema that emerged from this period of highly regimented film-making One reason this was possible is that, with so many movies being made, not every one had to be a big hit A studio could gamble on a medium-budget feature with a good and relatively unknown actors Citizen Kane, directed by Orson Welles and often regarded as the greatest film of all time, fits that de ion In other cases, strong-willed directors like Howard Hawks, Alfred Hitchcock and Frank Capra battled the studios in order to achieve their artistic visions The apogee of the studio system may have been the year 1939, which saw the release of such classics as The Wizard of Oz, Gone with the Wind, Stagecoach, Mr Smith Goes to Washington, Destry Rides Again,Young Mr Lincoln, Wuthering Heights, Only Angels Have Wings, Ninotchka, Babes in Arms, Gunga Din, and The Roaring Twenties Among the other films from the Golden Age period that are now considered to be classics Casablanca, The Adventures of Robin Hood, It s a Wonderful Life, It Happened One Night, King Kong, Citizen Kane, Swing Time, Some Like It Hot, A Night at the Opera, All About Eve, The Searchers, Breakfast At Tiffany s, North by Northwest, Dinner at Eight, Rebel Without a Cause, Rear Window, Double Indemnity, Mutiny on the Bounty, City Lights, Red River, The Manchurian Candidate, Bringing Up Baby, Singin in the Rain, To Have and Have Not, Goodbye, Mr Chips, Roman Holiday, Giant and Jezebel The style of Classical Hollywood cinema, as elaborated by David Bordwell, has been heavily influenced by the ideas of the Renaissance and its resurgence of mankind as the focal point Thus, classical narration progresses always through psychological motivation, i e by the will of a human character and its struggle with obstacles towards a defined goal The aspects of space and time are subordinated to the narrative element which is usually composed of two lines of action A romance intertwined with a more generic one such as business or, in the case of Alfred Hitchcock films, solving a crime Time in classical Hollywood is continuous, since non-linearity calls attention to the illusory workings of the medium The only permissible manipulation of time in this format is the flashback It is mostly used to introduce a memory sequence of a character, e g Casablanca Likewise, the treatment of space in classic Hollywood strives to overcome or conceal the two-dimensionality of film ("invisible style") and is strongly centered upon the human body The majority of shots in a classical film focus on gestures or facial expressions (medium-long and medium shots) André Bazin once compared classical film to a photographed play in that the events seem to exist objectively and that cameras only give us the best view of the whole play en wikipedia org wiki Classical_Hollywood_c

1:34:34

Download Savings and Loan Crisis Explained, Summary, Timeline, Bailout, Finance, Cost, History mp4 download free video

The following is a detailed summary of the major causes for losses that hurt the savings and loan business in the 1980s More on the topic s www amazon com gp search?ie UTF8&tag tra0c7-20&linkCode ur2&linkId 51c55ec15248eed374fb539b2332be3d&camp 1789&creative 9325&index books&keywords savings%20loan%20crisis Lack of net worth for many institutions as they entered the 1980s, and a wholly inadequate net worth regulation Decline in the effectiveness of Regulation Q in preserving the spread between the cost of money and the rate of return on assets, basically stemming from inflation and the accompanying increase in market interest rates Absence of an ability to vary the return on assets with increases in the rate of interest required to be paid for deposits Increased competition on the deposit gathering and mortgage origination sides of the business, with a sudden burst of new technology making possible a whole new way of conducting financial institutions generally and the mortgage business specifically Savings and Loans gained a wide range of new investment powers with the passage of the Depository Institutions Deregulation and Monetary Control Act and the Garn--St Germain Depository Institutions Act A number of states also passed legislation that similarly increased investment options These introduced new risks and speculative opportunities which were difficult to administer In many instances management lacked the ability or experience to evaluate them, or to administer large volumes of nonresidential construction loans Elimination of regulations initially designed to prevent lending excesses and minimize failures Regulatory relaxation permitted lending, directly and through participations, in distant loan markets on the promise of high returns Lenders, however, were not familiar with these distant markets It also permitted associations to participate extensively in speculative construction activities with builders and developers who had little or no financial stake in the projects Fraud and insider transaction abuses A new type and generation of opportunistic savings and loan executives and owners—some of whom operated in a fraudulent manner — whose takeover of many institutions was facilitated by a change in FSLIC rules reducing the minimum number of stockholders of an insured association from 400 to one Dereliction of duty on the part of the board of directors of some savings associations This permitted management to make uncontrolled use of some new operating authority, while directors failed to control expenses and prohibit obvious conflict of interest situations A virtual end of inflation in the American economy, together with overbuilding in multifamily, condominium type residences and in commercial real estate in many cities In addition, real estate values collapsed in the energy states — Texas, Louisiana, and Oklahoma — particularly due to falling oil prices — and weakness occurred in the mining and agricultural sectors of the economy Pressures felt by the management of many associations to restore net worth ratios Anxious to improve earnings, they departed from their traditional lending practices into credits and markets involving higher risks, but with which they had little experience The lack of appropriate, accurate, and effective evaluations of the savings and loan business by public accounting firms, security analysts, and the financial community Organizational structure and supervisory laws, adequate for policing and controlling the business in the protected environment of the 1960s and 1970s, resulted in fatal delays and indecision in the examination supervision process in the 1980s Federal and state examination and supervisory staffs insufficient in number, experience, or ability to deal with the new world of savings and loan operations The inability or unwillingness of the Bank Board and its legal and supervisory staff to deal with problem institutions in a timely manner Many institutions, which ultimately closed with big losses, were known problem cases for a year or more Often, it appeared, political considerations delayed necessary supervisory action en wikipedia org wiki Savings_and_loan_sc

1:29:30

Download The Great Gildersleeve Leroy's School Play Tom Sawyer Raft Fiscal Report Due mp4 download free video

Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law s estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley) The household also included a cook named Birdie Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it s a Gildersleeve") and then for the bulk of the show s run, serving as Summerfield s water commissioner, between time with the ladies and nights with the boys The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve s now slightly understated pomposity Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood er Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr Horrible s Sing-Along Blog) The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons en wikipedia org wiki The_Great_Gilders

1:22:11

Download The Great Gildersleeve Christmas Eve Program New Year's Eve Gildy Is Sued mp4 download free video

The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history s earliest spin-off programs Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct 3, 1939, ep #216 The Great Gildersleeve enjoyed its greatest success in the 1940s Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show s popularity On Fibber McGee and Molly, Peary s Gildersleeve was a pompous windbag who became a consistent McGee nemesis "You re a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic Gildy admits as much at the end of "Gildersleeve s Diary" on the Fibber McGee and Molly series (Oct 22, 1940) He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary s Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law s estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley) The household also included a cook named Birdie Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it s a Gildersleeve") and then for the bulk of the show s run, serving as Summerfield s water commissioner, between time with the ladies and nights with the boys The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve s now slightly understated pomposity Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood er Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr Horrible s Sing-Along Blog) The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons en wikipedia org wiki Great_Gilders

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