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10:46

Download Diplom UdK Berlin 2012 Matt Ceckiewicz Akustischer Hammam Acoustic Hammam mp4 download free video

Dies ist die ausführlichere Fassung des Diplompräsentationsvideos des Akustischen Hammams am Kottbusser Tor, entworfen von Dipl - Ing Matt Ceckiewicz Sprecherin Charlotte Albrecht www charlotte-albrecht de s www imdb com name nm3730821 Extended Atmospheric Impression of Matt´s Acoustic Hammam located at Kottbusser Tor "What if we could perceive urban noise not as a unpleasant, avoidable nuisance, but as a highly energetic, useable recource instead that could be transformed and used as something good or even be celebrated?" The Kottbusser Tor is one of the noisiest outdoor spaces in Berlin From an urbanist perspective, the Neues Zentrum Kreuzberg especially reassembles a huge Amphitheater, which multiplies the traffic noise by exponentially via two crossing subway lines (one a high track line), eight lanes of street traffic and the many construction sites producing a caccophonic, health threatening experience At this point in time, over 110 dB can be heard in one of the 348 appartments around the locality The ratio of inhabitants of turkish descent is estimated to be around 67 percent The result is a very vibrant, vivid, loaded and noisy, which is ideal for powering the Acoustic Hammam with its energy The idea site for the Acoustic Hammam is located within a traffic roundabout directly underneath the subway station U1 Kottbusser Tor It is possible a perfect square with a diameter of 54 3 meters or 2332 m² As a first step, the site has been divided into a grid of 1 5m increments Two fixed, existing points (a public elevator and the big stairs leading to both subway stations) were used to lock the grids coordinates The useable space on the proposed site was adapted to these conditions and a room sequence was established to fit an organised, free-floating turkish bath for 80 people, that has been spefically designed to accommodate the needs of the disabled Visitors enter the Acoustic Hammam through a lobby, which is located near the middle main entrance of the subway stations The dressing rooms are divided into a dirty and a clean zone The guest leaves his or her clothes in a special, personal compartment and continues walking to a larger space, connecting to bathroom facilities A small fountain domed by a square coppola provides both the start and end point of one Hammam cycle From the fountain, visitors may enter five specially tempered and acoustically optimised spaces The Cold Room, The Rain Room, The Warm Water Room, The Steambath and the Navelstone Room All those spaces are connected to a central, yard like Hidden Garden (visitors may decide to access the Hidden Garden first) Visitors are encouraged to spend between half to one hour in each of these spaces in order to benefit from their health improving qualities As opposed to the proto Hammam al-Bazuriya in Damaskus (c 1080AD) which houses a linear spacial program following the seasons, it became clear that a cyclic, floating setup would be more suited to a modern context Instead of seasonal rooms, the design of the Acoustic Hammam arranges space according to the latest scientifically and physiologically correct setup dry -- cold, wet -- cold, wet -- warm, dry -- warm, finally relaxing in the biggest, acoustically most elaborate, room temperature space Technical equipment including the filtration plant, heating, circulation pumps and an absorption chiller are located in a seperate level underneath the Hidden Garden, feeding off the adjacent district heating In order to modulate the surrounding noise volume, tonality and frequency of it s immediate context, the building utilises a range of both mechanical and electronical solutions Variable resonance (influencing of the physical mass of building components, e g with water), morphing surfaces (roughness, mechanical panels), direct sound wave mirrors (focus), switchable spaces, etc Electronical solutions include multimodal control of spacial acoustic using special two -- way sound panels (high definition microphones and directional, movable loudspeakers) The noise is captured and artificially modified before being released back into the Hammam, resulting in an unexpected and pleasant acoustic experience During the day, light from outsides shines through the white, translucent membrane of the roof construction Together with the membrane construction, the clear window cuts create a very differenciated light situation full of nuances At night, the effect is reversed; the building illuminates the formerly dark subway station mystically with steam coming out from wi

10:46

Download Matt Ceckiewicz UdK Berlin Diploma 2013 Acoustic Hammam! mp4 download free video

Extended Atmospheric Impression of Matt´s Acoustic Hammam located at Kottbusser Tor "What if we could perceive urban noise not as a unpleasant, avoidable nuisance, but as a highly energetic, useable recource instead that could be transformed and used as something good or even be celebrated?" The Kottbusser Tor is one of the noisiest outdoor spaces in Berlin From an urbanist perspective, the Neues Zentrum Kreuzberg especially reassembles a huge Amphitheater, which multiplies the traffic noise by exponentially via two crossing subway lines (one a high track line), eight lanes of street traffic and the many construction sites producing a caccophonic, health threatening experience At this point in time, over 110 dB can be heard in one of the 348 appartments around the locality The ratio of inhabitants of turkish descent is estimated to be around 67 percent The result is a very vibrant, vivid, loaded and noisy, which is ideal for powering the Acoustic Hammam with its energy The idea site for the Acoustic Hammam is located within a traffic roundabout directly underneath the subway station U1 Kottbusser Tor It is possible a perfect square with a diameter of 54 3 meters or 2332 m² As a first step, the site has been divided into a grid of 1 5m increments Two fixed, existing points (a public elevator and the big stairs leading to both subway stations) were used to lock the grids coordinates The useable space on the proposed site was adapted to these conditions and a room sequence was established to fit an organised, free-floating turkish bath for 80 people, that has been spefically designed to accommodate the needs of the disabled Visitors enter the Acoustic Hammam through a lobby, which is located near the middle main entrance of the subway stations The dressing rooms are divided into a dirty and a clean zone The guest leaves his or her clothes in a special, personal compartment and continues walking to a larger space, connecting to bathroom facilities A small fountain domed by a square coppola provides both the start and end point of one Hammam cycle From the fountain, visitors may enter five specially tempered and acoustically optimised spaces The Cold Room, The Rain Room, The Warm Water Room, The Steambath and the Navelstone Room All those spaces are connected to a central, yard like Hidden Garden (visitors may decide to access the Hidden Garden first) Visitors are encouraged to spend between half to one hour in each of these spaces in order to benefit from their health improving qualities As opposed to the proto Hammam al-Bazuriya in Damaskus (c 1080AD) which houses a linear spacial program following the seasons, it became clear that a cyclic, floating setup would be more suited to a modern context Instead of seasonal rooms, the design of the Acoustic Hammam arranges space according to the latest scientifically and physiologically correct setup dry -- cold, wet -- cold, wet -- warm, dry -- warm, finally relaxing in the biggest, acoustically most elaborate, room temperature space Technical equipment including the filtration plant, heating, circulation pumps and an absorption chiller are located in a seperate level underneath the Hidden Garden, feeding off the adjacent district heating In order to modulate the surrounding noise volume, tonality and frequency of it s immediate context, the building utilises a range of both mechanical and electronical solutions Variable resonance (influencing of the physical mass of building components, e g with water), morphing surfaces (roughness, mechanical panels), direct sound wave mirrors (focus), switchable spaces, etc Electronical solutions include multimodal control of spacial acoustic using special two -- way sound panels (high definition microphones and directional, movable loudspeakers) The noise is captured and artificially modified before being released back into the Hammam, resulting in an unexpected and pleasant acoustic experience During the day, light from outsides shines through the white, translucent membrane of the roof construction Together with the membrane construction, the clear window cuts create a very differenciated light situation full of nuances At night, the effect is reversed; the building illuminates the formerly dark subway station mystically with steam coming out from wi

3:5

Download Kaskade X Phoebe Ryan X LöKii Almost Back (Acoustic Official Audio) mp4 download free video

"Almost Back" (Acoustic) is available everywhere now smarturl it AlmostBackAcoustic Amazon Music smarturl it AlmostBackAcoustic az Apple Music smarturl it AlmostBackAcoustic applemusic iTunes smarturl it AlmostBackAcoustic itunes Spotify smarturl it AlmostBackAcoustic spotify YouTube Music smarturl it AlmostBackAcoustic youtubemusic Follow Phoebe phoeberyanofficial com facebook com PhoebeRyanMusic instagram com phoeberyan twitter com phoeberyan snapchat com add ph0eberyan Follow Kaskade kaskademusic com facebook com kaskade twitter com kaskade instagram com kaskade youtube com kaskade Follow LöKii lokiimusic com instagram com lokiimusic facebook com iamLokii twitter com lokii_music youtube com channel UCehFAbHBCFfDXzOoRCaNYuw Lyrics Well I woke up Took a breath, let it out, then I got up Cup of coffee, thinking maybe, could be wrong but Feeling so much better (better) Doing alright I was all in, I was walking in a straight line Feeling open, finally knowing what it felt like Really thought I was better (better) Almost made it three whole days Without seeing you in every face Thought I was good again, I was good again You pull me back to that feeling Every time that I start thinking I m almost back, I m almost back (back together) I m almost back, I m almost back (back together) Got this way of showing up and Breaking me with just one touch when I m almost back, I m almost back (back together) I m almost back, I m almost back (back together) I remember how it ended We were left with only embers Kept me hoping for a moment, for a flicker Thought I d never get better (better) Almost made it three whole days Without seeing you in every face Thought I was good again, I was good again You pull me back to that feeling Every time that I start thinking I m almost back, I m almost back (back together) I m almost back, I m almost back (back together) Got this way of showing up and Breaking me with just one touch when I m almost back, I m almost back (back together) I m almost back, I m almost back (back together) Baby, one day I will change Everything will fall in place And I ll be good again, I ll be good

2:33

Download ♪ Nightcore UDK mp4 download free video

♪ INFO ♪ ▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂ » Lyrics in Video ▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂ ▹About Song◃ » Song UDK » Artist Olivia O Brien ▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂ ▹About Picture◃ » Origin N A » Link s i pinimg com originals 0c 8b be 0c8bbebf62beb923152c03da4bce4969 png » Credit to N A ▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂ ▹About Programs Used◃ » Program for Video Windows Live Movie Maker » Program for Audio Audacity ▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂▂ ▹Other◃ I don t own the original song or picture in this video All goes to the respective owners If you have any questions or concerns about the use of your artwork or music, contact at nctruthbusiness@gmai

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Pilate Pearl Jam Cover Acoustic As .MP4 3GP FLV-

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