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59:57

Download Redefining Space Artist Sarah Sze mp4 download free video

Patsy R and Raymond D Nasher Lecture Series Presented November 2, 2016 at the Nasher Sculpture Center in collaboration with the University of North Texas College of Visual Arts and Design “How do we define what a piece of art is? How does something become valuable? What does it say about our culture?” These are the questions that this year’s Nasher Lecture Series speaker, Sarah Sze, asks herself in the process of creating her immense yet intricately designed artworks that challenge the boundaries of sculpture, painting, and architecture Sze is well known for incorporating common household items into her work in order to question the value of the objects we use and discard every day In her day-to-day life, she collects things as varied as tea bags, water bottles, light bulbs, and electric fans and utilizes them to add an autobiographical element to her work Together, all of the items create a narrative of contemporary human experience and habits that resonates with viewers in unique and personal ways With these everyday objects, Sze almost always creates teeming, site-specific sculptures with the aim of redefining space and altering the way that quotidian objects are perceived Sze’s finished work is characterized by a quality of organized chaos that challenges the static nature of sculpture The artist Richard Serra has likened her lace-like and seemingly disordered work to “seeing Twombly or Pollock in space ” This veritable explosion of everyday objects can seem arbitrary, but the ordering of the objects, while seemingly random, is actually quite precise Sze spends up to a month scattering photographs, rocks, bottles, and paint across the floor, hanging poles, ladders, and string from the ceiling, and building delicate structures on top of tables, desks, and shelves, all while maintaining a focus on the flow of the exhibit and how the location of all the contingent parts will affect the visitor’s experience Walking into a room taken over by Sze’s work is an immersive experience with parts of the artwork over head, next to your feet, and hanging on the walls The fractured yet overwhelming feeling that her completed works evoke attempts to convey the fragmented and immense flow of constant information in modern life Sze has had a successful career spanning twenty-five years Notably, she was awarded the MacArthur Fellowship in 2003 and represented the United States at the 55th Venice Biennale with her installation “Triple Point” in 2013 Sze recently mounted exhibitions at the Victoria Miro Gallery in London and the Tonya Bonakdar Gallery in New York www nashersculpturecente

12:51

Download Sarah Sze Interview The Meaning Between Things mp4 download free video

”A sculpture is constantly growing and dying at the same time It is a parallel process of construction and deconstruction ” Meet contemporary artist Sarah Sze in her New York studio Everyday materials are the fundament of Sarah Sze’s work Her installations transform a myriad of objects such waters bottles, tea bags, latters, lights balls, strings and paper cuts into installations, that in size vary between the intimate and enormous , the humble and the monumental ”I use familiar materials, that are easily excessible, are mass produced, easily replaced and often have a throw-away-quality to them, so that they have no meaning and value anymore But by putting them into connection with other similiar materials, they achieve the excact opposite and become unique and precoius ” Because of their everyday quality, Sarah Sze scupltures resemble leftovers or traces of human behavior ” How do you create intimacy in a place that is completely public? When you go and see one of my shows, you actually get the feeling you are in the studio It has the rawness of a laboratory, where things are still going to happen The object is the magnet that creates the experience and draws you in What I am trying to do is to disburse that object, break it down, dislocate you within an object It’s against the traditional idea of a sculpture as an isolated object ” Sze s practice exists at the intersection of sculpture, painting and architecture Her installations in private and public spaces profoundly affect the way the surrounding is viewed ”I see my work as sculpture, because sculpture is when you deal with objects My work is about the relationship between objects and how this creates meaning In my understanding, meaning always arises between the objects, never within one object alone ” Sarah Sze was born in 1969 in Boston, Massachusetts In 1991 she graduated Summa Cum Laude from Yale University with a BA In 1997 she received a MFA from the School of Visual Arts in New York In 2013 Sze represented the United States at the Venice Biennale Sze today lives and works in New York City Sarah Sze was interviewed by Jesper Bundgaard in her New York studio The featured work "Triple Point" in the video was Sze s contribution to the Venice Biennale in 2013 Camera Per Henriksen Edited by Per Henriksen Produced by Out of Sync and Marc-Christoph Wagner Copyright Louisiana Museum of Modern Art, 2014 Supported by Nordea-f

3:35

Download Sarah Sze How We See the World | Art21 "Extended Play" mp4 download free video

Episode #233 Sarah Sze expresses her desire to have a tactile relationship with materials in a world saturated with digital imagery In describing today’s visual culture, Sze says, "You don’t know the authorship of an image when it gets to you, you can manipulate it and you can send it—it s a kind of images as debris " For her 2015 exhibition at Tanya Bonakdar Gallery, Sze amplified and countered this contemporary experience through her installation "Second Studio" By arranging paint skins, torn paper images, and other materials such as wood, thread, and rocks, Sze explored our fragmented relationship to illusionistic images by focusing our attention on each object s materiality "We have so much illusion but we don t have touch and we don t have taste and we don’t have smell—we don’t have that intimacy with images " Sarah Sze builds her installations and intricate sculptures from the minutiae of everyday life, imbuing mundane materials, marks, and processes with surprising significance Combining domestic detritus and office supplies into fantastical miniatures, she builds her works, fractal-like, on an architectural scale Whether adapting to a venue or altering the urban fabric, Sze s patchwork compositions mirror the improvisational quality of cities, balancing whimsy with ecological themes of interconnectivity and sustainability Learn more about the artist at www art21 org artists sarah-sze CREDITS Producer Ian Forster Consulting Producer Wesley Miller & Nick Ravich Interview Ian Forster Editor Morgan Riles Camera John Marton & Andrew Whitlatch Sound Ian Forster Artwork Courtesy Sarah Sze & Tanya Bonakdar Gallery Special Thanks Mike Barnett & Lissa McClure #SarahSze #Art21 #Art21Extende

3:32

Download Sarah Sze "Measuring Stick" | Art21 "Extended Play" mp4 download free video

Episode #234 Sarah Sze discusses her sculpture "Measuring Stick" (2015), which explores the "measurement of time and space through the moving image " Sze remembers watching Charles and Ray Eames s "Powers of Ten" as a young student in the 1970s, and cites the film as an inspiration for her work "That was something I always looked forward to seeing " Sze s sculpture originally began as a film but evolved into a three-dimensional work that resembles an editing desk, reflecting the moving image through the inclusion of flickering light, and references to "scientist image-makers " Sze describes the diaphanous sculpture as an "experimental site" that "tries to actually measure a kind of behavior " Sarah Sze builds her installations and intricate sculptures from the minutiae of everyday life, imbuing mundane materials, marks, and processes with surprising significance By arranging domestic detritus and office supplies into fantastical miniatures, she builds her works, fractal-like, on an architectural scale Whether adapting to a site or disrupting the urban fabric, Sze s patchwork compositions mirror the improvisational quality of cities, balancing whimsy with ecological themes of interconnectivity and sustainability Learn more about the artist at www art21 org artists sarah-sze CREDITS Producer Ian Forster Consulting Producer Wesley Miller & Nick Ravich Interview Ian Forster Editor Morgan Riles Camera John Marton & Andrew Whitlatch Sound Ian Forster Artwork Courtesy Sarah Sze & Tanya Bonakdar Gallery Special Thanks Mike Barnett & Lissa McClure Art21 "Extended Play" is supported, in part, by the New York City Department of Cultural Affairs in partnership with the City Council; 21c Museum Hotel, and by individual contributors #SarahSze #Art21 #Art21Extende

4:22

Download Sarah Sze Improvisation | Art21 "Extended Play" mp4 download free video

Episode #161 Filmed in 2010 at the Museum of Modern and Contemporary Art in Nice, France, Sarah Sze discusses the importance of improvisation and spontaneity during her installation process  Originally shown at her New York City gallery, Sze altered "The Uncountables (Encyclopedia)" (2010) for its reinstallation in France by incorporating locally found items Sze s use of improvisation allows for viewers to trace her decision making process as they explore and investigate the artwork Sarah Sze builds her installations and intricate sculptures from the minutiae of everyday life, imbuing mundane materials, marks, and processes with surprising significance Combining domestic detritus and office supplies into fantastical miniatures, she builds her works, fractal-like, on an architectural scale Whether adapting to a venue or altering the urban fabric, Sze s patchwork compositions mirror the improvisational quality of cities, balancing whimsy with ecological themes of interconnectivity and sustainability Learn more about Sarah Sze at www art21 org artists sarah-sze CREDITS Producer Ian Forster Consulting Producer Wesley Miller & Nick Ravich Interview Susan Sollins Field Producer Agnes Jammal Camera Miguel Sanchez Martin Sound Roger Phenix Editor Morgan Riles & Mark Sutton Artwork Courtesy Sarah Sze & Tanya Bonakdar Gallery Special Thanks Museum of Modern and Contemporary Art, Nice  Theme Music Peter Foley Thanks to the following volunteers for providing subtitles FRENCH Frenchie4ever www amara org en profiles profile 90392 HEBREW Elinoar Almagor www amara org en profiles profile 90306 INDONESIAN Dwi Rianto www amara org en profiles profile 269 ITALIAN Isabella Martini www amara org en profiles profile 44240 JAPANESE Eri Nakamura www amara org en profiles profile 91874 SPANISH Néstor Noziglia www amara org en profiles profile 79460 TURKISH adeptgunes www amara org en profiles profile 77137 Become a volunteer translator by joining the Art21 Translation Project team www amara org en teams art21 #Art21 #Art21Extende

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