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DOWNLOAD ayinde bakare, eko mp3 MP4 3GP & MP3

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5:52

Download Ayinde Bakare & His Meranda Band Herbert Macaulay Golden Faces (Audio) download mp4 3gp mp3

40 s music from the incomparable Juju pioneer, Ayinde Bakare singing about the death of Nigerian nationalist, Herbert Macaulay Ayinde Bakare (Died October 1, 1972) was a pioneering Yoruba juju and highlife musician He began recording on the HMV label in 1937 and is thought to have been the first juju musician to use an amplified guitar He was extremely popular with the socialites across Yorubaland, especially in Lagos and Ibadan in the 50s 60s In the early 70s, during one of his performances in Lagos, Ayinde Bakare suddenly disappeared and he was later found dead It was rumoured that he was called to the backstage by some unknown individuals who had pretended to be his fans and admirers en wikipedia org wiki Ayinde_Bakare __________________________________________ Who was Herbert Macaulay? Herbert Samuel Heelas Macaulay (November 14, 1864—May 7, 1946) was a Nigerian nationalist, politician, engineer, journalist, and musician and considered by many Nigerians as the founder of Nigerian nationalism Macaulay was born in Lagos on November 14, 1864 to Sierra Leone Creole parents He was the grandson of bishop Samuel Ajayi Crowther and the son of the founder of the first secondary school in Nigeria, the CMS Grammar School, Lagos After going to a Christian missionary school, he took a job as a clerk at the Lagos Department of Public Works From 1891 to 1894 he studied civil engineering in Plymouth, England On his return, he worked for the Crown as a land inspector He left his position in 1898 due to growing distaste for Nigeria s position as a British colony Herbert Macaulay was an unlikely champion of the masses A grandson of Ajayi Crowther, the first African bishop of the Niger Territory, he was born into a Lagos that was divided politically into groups arranged in a convenient pecking order -- the British rulers who lived in the posh Marina district, the Saros and other slave descendants who lived to the west, and the Brazilians who lived behind the whites in the Portuguese Town Behind all three lived the real Lagosians, the masses of indigenous Yoruba people, disliked and generally ignored by their privileged neighbours It was not until Macaulay s generation that the Saros and Brazilians even began to contemplate making common cause with the masses Macaulay was one of the first Nigerian nationalists and for most of his life a strong opponent of British rule in Nigeria As a reaction to claims by the British that they were governing with "the true interests of the natives at heart", Macaulay wrote "The dimensions of "the true interests of the natives at heart" are algebraically equal to the length, breadth and depth of the whiteman s pocket " In 1908 he exposed European corruption in the handling of railway finances and in 1919 he argued successfully for the Chiefs whose land had been taken by the British in front of the Privy Council in London As a result, the colonial government was forced to pay compensation to the chiefs In retaliation for this and other activities of his, Macauley got jailed twice by the British Macaulay became very popular and on June 24, 1923, he founded the Nigerian National Democratic Party (NNDP), the first Nigerian political party The party won all the seats in the elections of 1923, 1928 and 1933 In 1931 relations between Macaulay and the British began to improve up to the point that the governor even held conferences with Macaulay In October 1938 the more radical Nigerian Youth Movement fought and won elections for the Lagos Town Council, ending the dominance of Macaulay and his National Democratic Party In 1944 Macaulay founded the National Council of Nigeria and the Cameroons (NCNC) together with Nnamdi Azikiwe and became its secretary general The NCNC was a patriotic organization designed to bring together Nigerians of all stripes to demand independence In 1946 Macaulay fell ill in Kano and later died in Lagos The leadership of the NCNC went to Azikiwe, who later became the first president of Nigeria en wikipedia org wiki Herbert_Mac

4:50

Download Chris Ajilo Eko O Gba Gbere download mp4 3gp mp3

EniObanke Music presents "Eko O Gba Gbere" by highlife legend Chris Ajilo from the album "Ariwo", available on iTunes at s itunes apple com us album ariwo id532921890 At the prime age of 83 years, the legendary Chris Ajilo proves in this recording that he is still as vibrant as ever He sings gleefully (even though the voice is a bit grainy now), plays his tenor sax and directs a lot of the action in and out of the recording studio On showcase are his strong song-writing ability, highly developed music arrangement skills, and soulful, passionate saxophone playing Supported by some of the most experienced younger musicians in Nigeria, Ajilo’s sounds explode in many directions Included here are two unmistakable hits of the fifties and sixties, “Emi Mimo” and “Eko O Gba Gbere”, which are regularly covered by top Nigerian artists and used as part of many traditional and social ceremonies We also get an introduction to several previously unrecorded gems and the beautiful, haunting international hit, “Ariwo” (which was covered as “Ayiko Bia” by Osibisa, the famous British Afro-pop band) Chris Ajilo was born in Lagos on December 26, 1929 He left Nigeria in 1946 as a stowaway, eventually arriving in England where he underwent formal music training He formed his first band, The Cool Cats Band, in Birmingham in 1953 and played around the country before returning to a sort of hero’s welcome in Nigeria in 1955 On arrival in Lagos, he established a new band, “Chris Ajilo and His Cubanos”, and quickly became one of the frontline musicians and bandleaders of the era He spent most of the subsequent decades producing others, including prominent artistes such as Chief Stephen Osadebe, the highlife king He has also worked as a trade unionist and music copyright administrator He presently resides in rustic Ijebu-jesa, Southwest, Nigeria Chris Ajilo had already achieved legendary status by the close of the sixties Fifty years later and he s still going st

5:23

Download Fatai Rolling Dollar Sisi Jaiye Jaiye Saworo (Audio) download mp4 3gp mp3

60 s Highlife classic from the Agidigbo father From the CD "Papa Rise Again" Fatai Rolling Dollar a Guitarist Singer and Exponent of the Native Thumb Piano (Agidigbo) is the 78 year old Veteran of West African Folk Music and the greatest living influence on West African Contemporary music, who in is his 64 year career has directly spawned and mentored some of the most successful musicians in West Africa s history such as Ebenezer Obey and who directly influenced others like King Sunny Ade, Fela Kuti and many more His musical style is a fusion of Native agidigbo with broader Highlife and Latin themes The name Rolling Dollar was a nickname coined about 1937, when Fatai would always roll a silver dollar piece at the coin toss in football matches in his school in Lagos, Nigeria The only things that betray Fatai Rolling Dollar s age are the front teeth he s lost in the course of his 78 years, and the memories of decades of neo-traditional Nigerian music he has traversed since he began playing in the Fifties For the rest, this livewire player of the West African agidigbo thumb piano and the guitar remains a vivid testimony of the vitality of Lagos s music heritage In 2003-4 he returned to Nigeria s music scene with three landmark albums and was finally recognised as a virtuoso exponent of neo-traditional highlife rhythms and a precursor to juju music I am like a tiger and all my body is ready for action , he recently told a Nigerian reporter Despite his early output, Fatai had by and large been forgotten by his country s music community and international specialists (no mention of him in the venerable Rough Guide to World Music ) Yet household names like Ebenezer Obey, Fela Kuti and King Sunny Ade, grudgingly admit to his influence on their music Rolling Dollar, whose real surname is Olagunjo, can thank his schoolmates for his stage name He was always called on by them to roll a two-and-a-half shilling piece (a dollar) to choose sides for the football matches at school break He began his musical career during the years of hard draft put in for the marines of the colonial powers in his native port city Fatai worked the Palm Line that went down to Congo, Libreville, Luanda, and Port Noire Everywhere he went he picked up different rhythms on the agidigbo and played it in exchange for Lucky Strike cigarettes His music break came in 1953 when teamed up with master guitarist J O Araba and tenor sax Ishola Willie Payne to play at the exclusive Island Club Their Afro Skittle band adopted Ghanaian palm wine music to Yoruba highlife sounds, a fusion that deeply influenced up-and-coming artists Fela Kuti, Sunny Ade and Ebenezer Obey (whom he taught to play the guitar) In the early days of independence, the Afro Skittles recorded several 78-rpm vinyl songs for Philips, the most popular of which were Ranka Dede » and Ogba oya ya The start of Fatai s demise dates back to the night of February 18 1977, when the military, under the orders of Olusegun Obasanjo, burnt down Fela s self-proclaimed Kalakuta Republic At the time, Fatai lived two doors away and he lost his home and all his musical possessions It put a brutal stop to the career of this impish composer who took refuge in a one-room shack in the notorious Mushin neighbourhood of Lagos For the following 25 years, Fatai has stayed there, eking out a living first as a security man in a sports complex and then as a guitarist for the local church It was only after Punch journalist Funso Aina complained in his column about the bundle of talent that is wasting away in Mushin, that the career of this father-of-ten was resurrected First the Goethe Institute, then the French Cultural Centre invested in bringing him out of retirement The latter, under the guidance of director Joel Bertrand, took him in May 2003, to Rabat, Morocco, to open the second edition of the capital s world music festival The result is a splendid live album brought out by the Lagosian label Jazzhole Records Already in 2003, Jazzhole executive director Olakunle Tejuoso had released a record to mark the singer s comeback Simply called Fatai Rolling Dollar returns , its socially-drenched lyrics and old world charm take us back to the Sixties palmwine style This contemporary of Julius Araba, Ayinde Bakare, Eddy Fasaiye and Seni Tejuosho has now followed up with the May 2004 release Won Kere Si Number and, all of a sudden, everyone wants a piece of the diehard musician A black beret almost always screwed on his diminutive head, a smile as broad as his musical experience, Fatai Rolling Dollar believes he has plenty more to give to West African music, and patiently waits for his rightful place in African music history Daniel Brown www mondomix com en portraits php?artist_id 1007&reportage_id

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