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6:48

Download Arvo The Film | Puneri Akkians download mp4 3gp mp3

ARVO - Talks abt Luv, Frndship & importance of Water -Team Puneri Akkians DOWNLOAD This MUSIC from ► s www bensound com royalty-free music tags Gentle acoustic royalty free music featuring acoustic guitar and piano DOWNLOAD This video from ► s pixabay com en videos rain-ra video tags rain, raindrops, puddle, drops, water, weather, wet, nature, liquid, autumn, season, environment, Nature Landscapes "Royalty Free Music from Bensound" Download clkme in qYAQBd One Dollar Sound Effects bit ly SWPortfolio Song Hero Theme Artist MK2 Genre Cinematic Source Youtube Audio Library Listen my playlists! Ambient bit ly AmbientNCM Hip Hop & Rap bit ly HipHopRapNCM Pop bit ly PopNCM Rock bit ly RockNCM Cinematic bit ly CinematicNCM Country & Folk bit ly CountryFolkNCM Electronic bit ly ElectronicNCM Reggae bit ly ReggaeNCM Silent Film bit ly SilentFilmNCM Vintage bit ly VintageNCM best NCM (no copyright music) vilanentrence BGM that is non copyrighted so you can use it in your youtube and twitch videos LICENCE you re free to use this song in any of your videos ,but you must include the following in your video de ion (copy&past); 4 s m youtube com watch?v 6ZsGMbXNZqg You can download this video as mp3 by using VidmateApk and Use this mp3 in your own Video Download VidmateApk s vidmate en uptodown com an Donate us to grow up +917086771453 Google Pay Contact Me milanjrt123456789@gmail com Category Music s m youtube com watch?v gZlDn4EmTvo Song Jarico - Island (Vlog No Copyright Music) Music promoted by Vlog No Copyright Music Video Link s youtu be gZlDn4EmTvo 6 s m youtube com watch?v 5WPnrvEMIdo Spring by Ikson s soundcloud com ikson Music promoted by Audio Library s youtu be 5WPnrvEMIdo ––– • Contact the artist iksonmusic@gmail com s iksonmusic wordpress com s www instagram com iksonofficial s open spotify com artist 0oaw4 s twitter com Iksonofficial s www youtube com channel UCyB3 s www facebook com iksonmusic ––– • If you use this song, please consider supporting the artist s www paypal me ikson s ikson bandcamp com track earl Credits s freesound org ➤ TERMS OF USE All the sound effects of this channel are registered under a Creative Commons license and are free to use, even commercially If you use any of the content available here, all you have to do is give credit to the original artist according to the information that can be found in my video de ions If there is no attribution in the de ion, you must attribute the channel More information s goo gl 9UITGd Author RelaxMePL calm background music for videos short films and vlogs no copyright Download s goo gl Srgv76 Credit 1 - intro music Big Horns Intro performs Audionautix with a Creative Commons Attribution license ( s creativecommons org licenses ) Artist audionautix com 2- sound effects in the download file File Content Kids in classroom Sound Effect classroom ambiance Sound Effect QUIET CLASSROOM ROOMTONE 02 Sound Effect Classroom Sound Effect FX Ambient clase Sound Effect Binder Hits Table With reverb Sound Effect Classroom Ambience - High School Class Sound Effect Mulitple Classroom chairs sliding back Sound Effect Credit Credits Kevin Macleod - Darkling s incompetech com ➤ TERMS OF USE All the sound effects of this channel are registered under a Creative Commons license and are free to use, even commercially Music Keys of Moon Music - The Epic Hero Link s youtu be Cjqu_PhncYU Music provided by MFY - No Copyright Background s www deviantart com shue13 art Subscribe s www youtube com c ARSoundEffe And don t forget to click the like button to help the channel! Credits s freesound org people roman_cg ➤ TERMS OF USE All the sound effects of this channel are registered under a Creative Commons license and are free to use, even commercially If you use any of the content available here, all you have to do is give credit to the original artist according to the information that can be found in my video de ions If there is no attribution in the de ion, you must attribute the channel More information s goo gl 9UITGd Subscribe s www youtube com c ARSoundEffe And don t forget to click the like button to help the channel! ➤ TERMS OF USE All the sound effects of this channel are registered under a Creative Commons license and are free to use, even commercially If you use any of the content available here, all you have to do is give credit to the original artist according to the information that can be found in my video de ions If there is no attribution in the de ion, you must attribute the channel More information s goo gl 9

1:8:16

Download Arvo Pärt Passio St John Passion Johannespassionen download mp4 3gp mp3

Mogens Dahl Kammerkor fremfører Arvo Pärts Johannespassion i Christians Kirke, påsketiden fejres med et af de smukkeste og mest højtidelige værker indenfor den nye musik Pärts Johannespassion er komponeret i 1982 og er med rette blevet et af den estiske komponists mest elskede værker Johannespassionen er i sit tonesprog præget af en gribende, renfærdig minimalisme og skildrer ligesom de traditionelle passionsværker påskeugens dramatiske historie om Jesu pågribelse, rettergang, lidelse og død Som ung eksperimenterede Arvo Pärt med forskellige af den vestlige modernismes kompositionsteknikker; men efterhånden fandt han sin helt egen enkle og meditative stil, der har gjort ham til en af nutidens mest kendte og elskede komponister Hans musik er præget af en dyb religiøs inderlighed og af den tidlige katolske kormusik fra 14 til 16 århundrede Mogens Dahl Kammerkor har tidligere præsenteret en lang række af det 20 århundredes væsentligste kirkelige værker på koncerter, festivaler og på den anmelderroste cd Sacred North Kammerkorets årlige påskekoncert Skærtorsdags aften i Christians Kirke har budt på hovedværker af bl a Gorecki, Schnittke, Martin og Pizzetti og nu er turen altså kommet til Pärts uforlignelige hovedværk, Johannespassionen 00 08 Chorus "Passio Domini Nostri Jesu Christi " 06 26 Jesus "Dixi Vobis, Quia Ego Sum " 15 41 Jesus "Ego Palam Locutus Sum Mundo " 20 59 Evangelisti "Et Misit Eum Annas Ligatum " 24 45 Pilatus "Quam Accusationem Affertis Adversus " 29 40 Jesus "Regnum Meum Non Est De Hoc Mundo " 39 08 Pilatus "Ecce Adduco Vobis Eum Foras " 46 49 Evangelisti "Et Exinde Quaerebat Pilatus " 59 20 Jesus "Mulier, Ecce Filius Tuus " 01 04 14 Chorus "Qui Passus Es Pro Nobis " Mogens Dahl Kammerkor Tenorsolist Adam Riis Bassolist Jakob Bloch Jespersen Violin Philippe Skow Cello Toke Møldrup Obo Andreas Fosdal Fagot Sebastian Stevensson Orgel Søren Johannsen Dirigent Mogens Dahl Abonnér på vores youtube-kanal goo gl JMIMX7 Følg os på facebook www facebook com MogensDahlKoncertsal Følg os på instragram www instagram com mogensdahlkoncertsal Besøg vores hjemmeside www mogensda

2:24

Download Arvo Pärt Für Anna Maria Complete Piano Music (Full Album) played by Jeroen van Veen download mp4 3gp mp3

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play and more) s brilliant-classics lnk to ArvoPart Jeroen Van Veen has released a series of acclaimed recordings on Brilliant Classics of music by the masters of Minimalism, that 1960s-derived aesthetic in which it is not so much the case that more can be said with less as that less seems to be necessary in an increasingly noisy and chaotic world The Estonian composer Arvo Pärt has never counted himself as among the minimalist number, nor indeed was he schooled in their new traditions, but emerged in the 1960s as an angry and dissonant voice whose musically expressed anger against Communist oppression of his native country could barely be contained within the tumultuous textures of works such as the Third Symphony, but a combination of personal circumstances and aesthetic decisions led him to pare back his style to the world of eerie calm and yet underlying melancholy that has made works such as the Cantus in memoriam Benjamin Britten such an enduring favourite even among audiences who would not otherwise count themselves as aficionados of the European contemporary music scene But then Pärt has never fitted into any one stylistic box, and alongside the quiet rapture of Für Alina we may find the student-era tinkling of the intriguing early Dance Pieces, as well as arrangements of classics such as Fratres and Spiegel im Spiegel – here interpreted by Dutch cellist Douw Fonda – that seem to preserve their special mood no matter what the instrumental forces; a quality they share with works of Pärt s compositional idol, J S Bach 00 00 00 Für Alina (1976) 00 20 18 Variationen zur Gesundung von Arinuschka (1977) 00 26 15 Ukuaru valss (1973, rev 2010) 00 29 09 Für Anna Maria No 1 (2006) 00 30 30 Für Alina No 1 (1976) 00 33 11 Pari intervallo (1976, rev 2008) 00 38 38 Hymn to a Great City (1984, rev 2004) 00 43 47 Für Anna Maria No 2 (2006) 00 44 55 Für Alina No 2 (1976) 00 48 11 Fratres (1977, rev 1980) 01 00 03 Spiegel im Spiegel (1978) 01 09 14 Vier leichte Tanzstücke “Musik für Kindertheater” I Der gestiefelte Kater 01 09 58 Vier leichte Tanzstücke “Musik für Kindertheater” II Rotkäppchen und der Wolf 01 12 13 Vier leichte Tanzstücke “Musik für Kindertheater” III Schmetterlinge 01 14 19 Vier leichte Tanzstücke “Musik für Kindertheater” IV Tanz der Entenküken 01 16 54 Sonatina No 1 I Allegro 01 19 27 Sonatina No 1 II Larghetto 01 23 46 Sonatina No 1 III Allegro 01 24 11 Sonatine No 2 I Allegro energico 01 26 04 Sonatine No 2 II Largo 01 28 07 Sonatine No 2 III Allegro 01 29 55 Partita, Op 2 I Toccatina 01 30 46 Partita, Op 2 II Fughetta 01 31 50 Partita, Op 2 III Larghetto 01 35 07 Partita, Op 2 IV Ostinato 01 37 16 Für Alina No 3 (

3:37

Download Arvo Pärt even if I lose everything (2015) download mp4 3gp mp3

Arvo Pärt - even if I lose everything (2015) Documentary “Even if I lose everything…“ That’s what Arvo Pärt wrote in his workbook which is a kind of diary For decades in the course of writing music he has filled the workbooks with contemplations expressing his moments of grief and joy, his discoveries, worries and experiences, things that bring to light the inner life of the artist In our film, Arvo Pärt studies his workbook notes with Immo Mihkelson which is a fascinating and interesting activity There are incomprehensible notes but also very enlightening ones The records evoke thoughts, memories, discoveries We’ll see a person in search of his path and we’ll understand that the path is a narrow one The film contains also home videos showing Arvo Pärt as he is a kind and hard-working, good-humoured and caring person, composer, husband, father, grandfather “Even if I lose everything” is one of his notes What does he mean with that? Is this “everything” something that has no value for him anymore? Is he saying that there is something special, a treasure that one could give up “everything” for? What kind of treasure is it? That is what our film is telling about Dorian Supin, Director Original title „Arvo Pärt - isegi kui ma kõik kaotan“ Director and writer Dorian Supin Director of Photography Dorian Supin Sound Mart Kesse-Otsa Editor Kadri Kanter Producer Reet Sokmann Produced by (production company) Minor Film In cooperation with Arvo Pärt Centre and Universal Edition AG, Vienna The documentary will be premiered in August 2015 at the Arvo Pärt Centre Film Evenings in Tallinn, Est

27:51

Download Arvo Pärt Stabat Mater for Choir and String Orchestra download mp4 3gp mp3

Composer Arvo Pärt Conductor Kristjan Järvi Rundfunk-Sinfonieorchester Berlin RIAS Kammerchor De ion choral score When Arvo Pärt sets words to music, he gives the impression of having entered into the depths of his chosen text and returned to the surface with an entirely fresh impression of what it s all about This is certainly true of his Stabat Mater, and yet the result is to reaffirm the traditional significance of the text and to place the work securely in the long line of settings that includes those of Josquin Desprez, Lassus, and Palestrina, and in modern times Poulenz and Penderecki Pärt achieves this partly by the purity and simplicity of his musical language, and partly by the way in which he draws such powerfully expressive music directly out of the rhythms and forms of the text, so that it almost seems as if the words have composed the music That Stabat Mater poem is thought to be of 13th century Franciscan origin, though its earlier attribution to Jacopone da Todi is now generally discounted It has the standard form of the late medieval sequence, forming a series of three-line verses, linked in pairs by rhyme, with a fixed number of syllables (8, 8, 7) in each line Pärt uses a technique which he named "tintinnabuli" after its affinity with the way the sounds of a bell lingers as it fades into silence A central feature of this style is his use of the number of syllables in each word to determine the shape of the melodic line This immediately creates variety, as some lines consist of several words with only one or two syllables, while others have only two words with as many as six syllables The text is then divided up into four sections (of 2, 3, 3, 2 strophes), each section separated by an instrumental interlude In these interludes the music is suddenly more active, though still based on the text s underlying rhythmic pattern The work begins with the same fundamental rhythm - but played in its slowest tempo, first high on the strings and then joined by the voices singing Amen - and ends with a mirror version of this same m

8:33

Download Arvo Pärt Spiegel im Spiegel (audio + sheet music) download mp4 3gp mp3

Spiegel im Spiegel, composed in 1978, was the last work Arvo Pärt completed before leaving his native Estonia Following the inaugural "tintinnabular" works by only two years, the work stands as one of the most carefully distilled examples of Pärt s new compositional aesthetic, and its extreme tranquility contrasts sharply with the tension and frustration that characterized his music from a decade before To fully appreciate the beauty of Spiegel im Spiegel, we must go back a few years The late 1960s found Pärt in an artistic quandary Having tired of the brash, neoclassic style of his first published works (see, for example, the Partita), and growing equally frustrated with the predominant serialist style of the day, he composed several works that seemed to reflect no style of his own, but rather comment on the inadequacy of and incompatibility between the choices at hand Pro et Contra and the Second Symphony, both from 1968, were characterized by rude, jarring juxtapositions of style, and reflected the urgency of Pärt s crisis Shortly after their composition, Pärt withdrew from public composition altogether, and over the next few years composed only two works This period was one of intense reflection and study (particularly of Medieval and Renaissance music), and by the time Pärt re-emerged in the late 1970s, he had developed an entirely new approach to composition, which became known as the "tintinnabular" style The principles of tintinnabuli are demonstrated clearly and elegantly in Spiegel im Spiegel The basic technique calls for a combination of two types of voices a melodic voice, that moves in simple stepwise fashion across diatonic scales; and a tintinnabula voice, which confines itself to pitches within the tonic triad The chord tones follow certain variable patterns; in the case of Spiegel im Spiegel, the tintinnabular voice is the second note in each three-note accompanimental figure, which always falls on the nearest chord tone below the melodic voice (transposed down an octave) Thus, in the underlying and omnipresent F major tonality, a melodic voice on an A or G is paired with a tintinnabular voice on F; if the melody moves down to F, the tintinnabular voice drops down to the C, and so forth The striking lyricism of the piece certainly does not suggest the rigid guidelines with which it is constructed Scored for violin and piano (with the option of transposing the violin part down an octave to be played by a cello), the work is made of slow, steady lines ascending and descending in the violin part, over a serene and uninterrupted arpeggio accompaniment in the piano This texture is occasionally colored by low, sustained Fs in the bass and high, bell-like (or, to use the word in its original context, tintinnabular) consonances in the upper piano register The gentle lines in the violin are actually built according to a strict formula beginning with the two-note scale G-A, the violin alternately ascends then descends to A by step With each subsequent ascent and descent, a note is added to the line There is no sense of drama, tension, or ambiguity here--when we hear the violin leap to high G, we know the stepwise path it is going to take on its way back down to A The beauty of the tintinnabulum is not the construction of emotional trajectory, but rather the creation of an introspective atmosphere made of pure sonority (AllMusic) Please take note that the audio AND the sheet music ARE NOT mine Change the quality to a minimum of 480p if the video is blurry Original audio s www youtube com watch?v RYypmgIYOVQ (Performance by Tasmin Little, accompanied by Martin Roscoe) Original sheet music s drive google com drive folders 1qyEoTp-0RbyofIb9RnUoS8Bdw-i

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