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2:45

Download Frédéric Chopin Prelude in E Minor (op 28 no 4) mp4 download free video

Frédéric Chopin-Prelude in E-Minor (op 28 no 4) Played by Aldona Dvarionaite Fryderyk Chopin (Polish Fryderyk [Franciszek] Chopin, sometimes Szopen; French Frédéric [François] Chopin;March 1, 1810 -- October 17, 1849) was a Polish virtuoso pianist and piano composer of the Romantic period He is widely regarded as the greatest Polish composer, and one of the most influential composers for piano in the 19th century Chopin was a genius of universal appeal His music conquers the most diverse audiences When the first notes of Chopin sound through the concert hall there is a happy sigh of recognition All over the world men and women know his music They love it They are moved by it Yet it is not "Romantic music" in the Byronic sense It does not tell stories or paint pictures It is expressive and personal, but still a pure art Even in this abstract atomic age, where emotion is not fashionable, Chopin endures His music is the universal language of human communication When I play Chopin I know I speak directly to the hearts of people! Chopin s music for the piano combined a unique rhythmic sense (particularly his use of rubato), frequent use of chromaticism, and counterpoint This mixture produces a particularly fragile sound in the melody and the harmony, which are nonetheless underpinned by solid and interesting harmonic techniques He took the new salon genre of the nocturne, invented by Irish composer John Field, to a deeper level of sophistication Three of his twenty-one nocturnes were only published after his death in 1849, contrary to his wishes He also endowed popular dance forms, such as the Polish mazurka and the waltz, Viennese Waltz, with a greater range of melody and expression Chopin was the first to write ballades and scherzi as individual pieces Chopin also took the example of Bach s preludes and fugues, transforming the genre in his own preludes Chopin was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father and came to be regarded as a child-prodigy pianist In November 1830, at the age of twenty, Chopin went abroad After the suppression of the Polish 1830--31 Uprising, he became one of the many expatriates of the Polish Great Emigration In Paris he made a comfortable living as composer and piano teacher, while giving few public performances A great Polish patriot, in France he used the French version of his given name and, to avoid having to rely on Imperial Russian documents, eventually became a French citizen After some ill-fated romantic involvements with Polish ladies, from 1837 to 1847 he conducted a turbulent relationship with the French writer George Sand (Aurore Dudevant) Always in frail health, at 39 in Paris he succumbed to pulmonary tuberculosis Chopin s extant compositions all include the piano, predominantly alone or as a solo instrument among others Though his music is technically demanding, its style emphasizes nuance and expressive depth rather than technical virtuosity Chopin invented new musical forms such as the ballade,and made major innovations to existing forms such as the piano sonata, waltz, nocturne, étude, impromptu, and prelude His works are mainstays of Romanticism in 19th-century classical music His mazurkas and polonaises remain the cornerstone of Polish national classical music [from Wikip

34:1

Download Milt Jackson Opus De Jazz ( Full Album ) mp4 download free video

Milt Jackson – vibes Frank Wess - tenor saxophone, flute Hank Jones - piano Eddie Jones - bass Kenny Clarke – drums "Opus de Funk" - 13 28 "Opus Pocus" - 7 25 "You Leave Me Breathless" - 6 27 "Opus and Interlude" - 6 30 Recorded - October 28, 1955 Why search for your favorite music in my channel? Because i m always trying to name the musicians, place and date of the recordings! Please let me know if i have missed something Make it easy on yourself check my playlists, or search my channel for your favorite artist song Subscribe yourself to the channel to keep up with the latest uploads Have Fun!! I Will remove any video if asked too And most of all !!! I hope that , trough these video s, i have inspired you to go and get the original recordings because there is nothing like the original!! So that s what i m doing it for Go to your local recordstore, the internet or whatever, and get the original!! Enjoy !!! FAIR USE DISCLAIMER I do not own copyright for this copyrighted artwork, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research I state here in a good faith that I have made and uploaded here this copy of this copyrighted artwork completely for the purposes of teaching and research, that my action - i e my production of the copy of this copyrighted artwork and sharing of it here on Youtube in this particular case - is totally non-profit, and that I believe that my production of this copy of this copyrighted artwork and sharing of it here in Youtube in this particular case can only increase value of this copyrighted artwork and produce only positive effects for this copyrighted artwork in its potential ma

31:35

Download Frank Wess ‎– Opus In Swing ( Full Album ) mp4 download free video

Flute – Frank Wess Bass – Eddie Jones Drums – Kenny Clarke Guitar [Solo Guitar] – Kenny Burrell Rhythm Guitar – Freddie Greene 1 Kansas City Side 2 Southern Exposure 3 Over The Rainbow 4 Wess Side 5 East Wind Recorded - Recorded June 20, 1956 Why search for your favorite music in my channel? Because i m always trying to name the musicians, place and date of the recordings! Please let me know if i have missed something Make it easy on yourself check my playlists, or search my channel for your favorite artist song Subscribe yourself to the channel to keep up with the latest uploads Have Fun!! I Will remove any video if asked too And most of all !!! I hope that , trough these video s, i have inspired you to go and get the original recordings because there is nothing like the original!! So that s what i m doing it for Go to your local recordstore, the internet or whatever, and get the original!! Enjoy !!! FAIR USE DISCLAIMER I do not own copyright for this copyrighted artwork, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research I state here in a good faith that I have made and uploaded here this copy of this copyrighted artwork completely for the purposes of teaching and research, that my action - i e my production of the copy of this copyrighted artwork and sharing of it here on Youtube in this particular case - is totally non-profit, and that I believe that my production of this copy of this copyrighted artwork and sharing of it here in Youtube in this particular case can only increase value of this copyrighted artwork and produce only positive effects for this copyrighted artwork in its potential ma

32:29

Download Arnold Schoenberg, Serenade Op 24, Dimitri Mitroupoulos mp4 download free video

Exhausting the limits of tonal development in the music composed in the early part of his career, Arnold Schoenberg s attention was more and dore drawn to the possibilities of melodic and harmonic ideas without tonal centers Beginning with his Second String Quartet, Op 10, Schoenberg s transition to openly atonal composition grew into a firmly developed personal style which was decisively expressed in the Piano Pieces, Op 11, the George Songs, Op 15, the Five Orchestral Pieces, Op 16, and his monodrama "Erwartung," Op 17 Since he had carried the development of his atonal styles so far, Schoenberg felt the need to express concretely a principle, by means of which each single tone could find its complete individuality In the composing of the Serenade," Schoenberg for the first time began to create whole pieces integrated in his style which is not referred to as the "technique of composition with twelve tones " It must be added that Schoenberg did not call this a "system" and objects violently to such a doctrinaire conception of twelve-tone usage As he finished each movement of the "Serenade," one of his associates has said, "Schoenberg called his pupils together and explained to them his methods of composing these pieces " Of the seven movements, all but two make use of a twelve-tone row (a series of all the possible chromatic tones chosen at the discretion of the composer to suit all his musical purposes) The Third movement (Variations) uses an eleven-tone series; and the sixty movement (Song Without Words) is composed in free style In only one of the movements does Schoenberg make use of vocal possibilities -- the Fourth movement, "Sonnet by Petrarca," set for Baritone voice with the other instruments accompanying At night, all hope for slumber mocking, taunting My spirit, which alone is Death s to sunder, Parts from my flesh, and from its bonds encumbering Flies straight to her who threatening does receive it, Thus to behold my soul I often wonder, As it doth speak and weep and love her, slumbering Would she awake, if somehow she d perceive it? The Finale (seventh movements) makes a return to the tempo and material of the March, though in different relationships, and thus unifies the spirit of the whole set of pieces The Serenade was first performed for a private gathering at the home of Dr Schwarzmann in Vienna in 1924, with Schoenberg conducting The actual American premiere, according to Carlos Salzedo, took place in Aeloian Haoo, New York City, on Marh 1, 1925, at a concert of the International Composers Guild Conducted by Leopold Stokowski, the ensemble of was made up of the first chairs of the the Philadelphia Orchestra, and the work was well received The Serenade, in common with the other compositions Schoenberg continues to produce, is eminently expressive of his artistic integrity, his imagination and his desire to explore and to bring to understanding the wealth of experience possible in the art of sound that we call music This year (1949), in celebration of the seventy-fifth birthday of Arnold Schoenberg, the United States Section of the International Society of Contemporary Music arranged for the first performance of this work in over twenty-four years, under the auspicious direction of Dimitri Mitropoulos The ISCM has, in the years since its inception in 1923, been enterprising in brining to performance the works of many contemporary composers whose works might otherwise go unheard and unnoticed either because of their difficulty, or because of prejudice against their "modernity " Since the larger record companies have with little exception always been over-cautions in producing any recordings that might seem out of the ordinary, one can really appreciate the sympathy, confidence, and artistic interest of Counterpoint Records in placing their facilities at the disposal of Mr Mitropoulos and his distinguished colleagues, to record brilliantly this significant work It goes almost without saying that audiences and composers have for a long time been in the debt of Dimitri Mitropoulos Such courage and imagination in presenting works of immense importance is seldom to be met in the all-too-commercial world of music today (Notes by Ben Weber for the original release,

44:41

Download Daniel Barenboim Beethoven Piano Concerto No 5 in E flat major Op 73 mp4 download free video

From the Klavierfestival Ruhr in the Jahrhunderthalle Bochum, 2007 Daniel Barenboim, soloist and conductor Staatskapelle Berlin 0 00 I Allegro (21 09) 21 00 II Adagio un poco moto (8 09) 29 17 III Rondo Allegro (12 04) Click here to watch the full concert with Daniel Barenboim playing Beethoven Piano Concertos s goo gl pbsZpS The world of music initially reacted less enthusiastically to Beethoven s Fifth Piano Concerto in E-flat Major, Op 73 "The excessive length of the composition", wrote one reviewer, following the work s first public performance at a Gewandhaus concert in Leipzig on 28 November 1811, "reduced the overall effect that this glorious product of the composer s mind would undoubtedly otherwise have produced " On the one hand, the critic was not entirely wrong, for the Fifth Piano Concerto is Beethoven s longest piano concerto, and in its heroic "Eroica" key of E fiat major is certainly a "glorious product of the composer s mind" But with the best will in the world it is impossible to claim that it falls to produce an "overall effect" Quite the opposite, in fact The Fifth is the most effective of Beethoven s five piano concertos and one of the most popular of all contributions to the medium Outside the German-speaking world the work s special status is acknowledged by de ions of it as the "Emperor", "L Empéreur" and "Imperatore" This alternative name was not Beethoven s but probably derives from his friend and publisher Johann Baptist Cramer In spite of its inauthenticity, it goes straight to the heart of the matter, for no piano concerto begins on a more majestic or a more resplendent note Three times the full orchestra intones a radiant chord and three times the solo piano responds with a bravura cadenza before the orchestra introduces the main theme At the climax of the development section, orchestra and solo instrument engage in a veritable battle fought out over harshly dotted rhythms from which they emerge as equals And even in the soloist s cadenza, the orchestra refuses to fall completely silent but engages in a subtle dialogue with the piano In none of his other piano concertos was Beethoven as successful in forging a novel synthesis between concertante writing and the gestural language of the symp

42:10

Download · Ludwig van Beethoven · Cuarteto de cuerdas n º 14 Opus 131 · Completo mp4 download free video

"Cuarteto para cuerdas n º 14 en Do sostenido menor", Opus 131, de Ludwig van Beethoven, con sus 7 movimientos • "Adagio ma non troppo e molto espressivo" 00 28 • "Allegro molto vivace" 08 13 • "Allegro moderato - Adagio" 11 41 • "Andante ma non troppo e molto cantabile - Piu mosso - Adagio,ma non troppo e semplice - Allegretto" 12 30 • "Presto" 27 22 • "Sexto Movimiento" "Adagio quasi un poco andante" 33 08 y • "Allegro" 36 28 " "El Tema principal del Sexto Movimiento del Cuarteto para Cuerdas Op 131 de Beethoven también parece estar basado en la melodía del Kol Nidrei " "En las primeras notas del cuarteto de cuerdas op 131, [Sexto Movimiento "adagio quasi un poco andante"], de Beethoven el inicio de Kol Nidrei es reconocible, " Se cree que haya sido posible que Beethoven conoció la música del "Kol Nidrei" interpretada por los miembros de la Comunidad Judía de Viena "Kol Nidrei", significa en Arameo "todos los votos", y es una oración cantada, de profundo y supremo arrepentimiento elevada a Dios, que se recita tres veces en el "Yom Kippur" o "Día del Perdón", antes de la puesta del sol "El Kol Nidrei resuena, en verdad, con el clamor milenario y genera en el Beit Hakneset una atmósfera muy particular, la melodía produce una emoción muy fuerte, creando una fuerza espiritual que evoca la trascendencia del día que comienza " Es posible que Luis van Beethoven, intuyendo que se acercaba al fin de su ciclo en aquella existencia, introdujo en el Sexto Movimiento de su Gran Obra "Cuarteto para Cuerdas No 14, Opus 131", las notas iniciales del bellísimo y conmovedor Canto-Oración de arrepentimiento "Kol Nidrei", que se recita en la tarde antes del ocaso del sol del "Día del Perdón" ("Yom Kippur") " Enseñanzas del V M Thoth-Moisés en Su Trabajo "2 DE FEBRERO EL DÍA DE LA CANDELARIA" "La Fiesta de la Purificación" y de "La Presentación de Jesús en el Templo" www testimonios-de-un-discipulo com 2-de%20Febrero-El-Dia-de-La-Candelaria html Crédito Música "Cuarteto para cuerdas n º 14 Opus 131" de Ludwig van Beethoven, cubiertos los costos "royalty free music" Imágenes Retrato de Ludwig van Beethoven en "dominio público" Crédito Imágenes Detalle del "Retrato (1820) de Ludwig van Beethoven" componiendo la Missa Solemnis", de "Joseph Karl Stieler" (1781-1858), obra en "dominio público" Proyecto audiovisual altruista, gratuito, sin ánimo de lucro Realizado por hēsykhía · La Música de las Esferas · la-musica-de-las-esferas blogspot co

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