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DOWNLOAD Fac ut ardeat cor meum from Stabat Mater Giovanni Battista Pergolesi MP4 3GP & MP3

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1:1:14

Download Pergolesi Stabat Mater (Anna Netrebko, Marianna Pizzolato) HD download mp4 3gp mp3

Giovanni Battista Pergolesi - Stabat Mater Anna Netrebko, soprano Marianna Pizzolato, Mezzo-soprano Sächsische Staatskapelle Dresden Bertrand de Billy, Conductor Franz Joseph Haydn - The Seven Last Word of Our Saviour on the Cross (1786) 00 00 53 L Introduzione 06 35 Sonata I 13 00 Johann Sebastian Bach - St Matthew Passion "Erbarme Dich, Gott" (1727) (Marianna Pizzolato, mezzo-soprano) 20 50 Giovanni Battista Pergolesi - Stabat Mater (1736) Stabat mater dolorosa Cuius animam gementem O quam tristis et afflicta Quae moerebat et dolebat Quis est homo, qui non fleret Vidit suum dulcem natum Eia, Mater, fons amoris Fac, ut ardeat cor meum Sancta Mater, istud agas Fac, ut portem Christi mortem Inflammatus et accensus Quando corpus morietur - Amen (Anna Netrebko, soprano Marianna Pizzolato, mezzo-soprano) »Passionsmusik aus der Dresdner Frauenkirche« Frauenkirche Dresden, Saturday 27 November 2010 Filmed at the beautiful Dresden Frauenkirche, this concert features Anna Netrebko, Marianna Pizzolato and the Sächsische Staatskapelle Dresden conducted by Bertrand de Billy Stabat Mater was written in 1736 by Giovanni Pergolesi (1710-1736), and quickly became the became the most frequently printed musical work in the 18th century The program also includes The Seven Last Word of Our Saviour on the Cross by Joseph Haydn and St Matthew Passion by J S

2:12

Download Amarillis Stabat Mater de Pergolèse (Fac ut ardeat cor meum) download mp4 3gp mp3

Stabat Mater de Giovanni Battista Pergolèse (1710-1736) Fac ut ardeat cor meum Disque Sony classical, enregistré en live à Paris, le 27 juin 2016 au Théâtre des Champs-Élysées Concert « Les Grandes Voix » L Ensemble Amarillis, Sonya Yoncheva (soprano) et Karine Deshayes (mezzo-soprano) Direction musicale Héloïse Gaillard et Violaine Cochard Alice Piérot  premier violon Sandrine Dupé, Louis Créac’h  violons I Olivier Briand, Diana Lee, Koji Yoda  violons II Fanny Paccoud, Laurent Muller-Poblocki  altos Annabelle Luis, Frédéric Baldassare  violoncelles Gautier Blondel  contrebasse Violaine Cochard  clavecin et orgue positif Bruno Helstroffer  théorbe ---------------------------------- Giovanni Battista Pergolese a 26 ans lorsqu il meurt à Naples, en 1736, et qu il vient d achever la composition de son Stabat Mater dont le succès ne s est jamais démenti depuis lors Nous l avons associé dans ce disque à des œuvres de deux autres compositeurs napolitains la Sonata n° 14 pour flûte alto concertante (Héloïse Gaillard), cordes et basse continue de Francesco Mancini (1672-1737) et le Concerto grosso n° 1 de Francesco Durante (1684-1755) qui fut le maître de Pergolèse De louanges en supplications, d envolées brillantes et acrobatiques en plaintes gémissantes, la musique de ces trois compositeurs napolitains si créatifs nous transporte au cœur même des passions humaines ---------------------------------- Disque Sony classical 88985369642 Vidéo réalisée par

37:4

Download Giovanni Battista Pergolesi Stabat Mater download mp4 3gp mp3

- Composer Giovanni Battista Pergolesi (4 January 1710 -- 16 March 1736) - Ensemble Ricercar Consort - Conductor Philippe Pierlot - Soloists Núria Rial (soprano), Carlos Mena (contratenor) - Year of recording 2006 Stabat mater, for soprano, alto, strings & organ in F major, written in 1736 00 00 - 1 Stabat Mater dolorosa - Grave 04 37 - 2 Cujus animam gementem - Andante amoroso 06 41 - 3 O quam tristis et afflicta - Larghetto 08 53 - 4 Quae moerebat et dolebat - Allegro 10 33 - 5 Quis est homo - Largo 13 20 - 6 Vidit suum dulcem natum - A tempo giusto 16 48 - 7 Eja mater fons amoris - Andantino 19 06 - 8 Fac ut ardeat cor meum - Allegro 21 13 - 9 Sancta mater, istud agas - A tempo giusto 26 17 - 10 Fac ut portem Christi mortem - Largo 30 02 - 11 Inflammatus et accensus - Allegro 31 52 - 12 Quando corpus morietur - Largo assai Pergolesi s Stabat Mater is a musical setting of the Stabat Mater sequence, composed in 1736 in the final weeks of Pergolesi s life He actually wrote the final chorus on his deathbed Quis est homo? "Who is he that would not weep, to see the mother of Christ in such despair?" These words were first uttered in thirteenth century Italy in an affective and emotional Latin deovtional lyric; the obvious answer to its rhetorical question is that no true believer would not mourn with the Virgin over the dying Christ The poem is the "Stabat mater," thought to be the work of the great Lauda-poet Jacopone da Todi Its plangent strophes affect an emotional connection between the meditating believer and the mother of the Crucified, and first emerged from the intense strains of popular devotion following the Black Plague In the eighteenth century, however, the text took on new life in popular devotional practice through the influence of one musical setting the Stabat mater dolorosa of Giovanni Battista Pergolesi The work is divided into twelve movements, each named after the incipit of the text Much of the music is based on Pergolesi s earlier setting of the Dies Irae sequence The Stabat Mater is one of Pergolesi s most celebrated sacred works, achieving great popularity after the composer s death Jean-Jacques Rousseau showed appreciation for the work, praising the opening movement as "the most perfect and touching duet to come from the pen of any composer" Many composers adapted the work, including Giovanni Paisiello, who extended the orchestral accompaniment, and Joseph Eybler, who added a choir to replace some of the duets Bach s "Tilge, Höchster, meine Sünden" is a parody cantata based on Pergolesi s composition The work was not without its detractors Padre Martini criticised its light, operatic style in 1774, and believed it was too similar to Pergolesi s comic opera "La Serva Padrona" to adequately deliver the pathos of the

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